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Some works of general or particular interest which have informed axel-and-alice but from which no quotations have been made are also included. These are preceded by an asterisk (*).
Permission has not been sought for reproducing in axel-and-alice the full text of Lewis Carroll's novels Alice's Adventures in Wonderland and Through the Looking Glass as they are out of copyright. Peter Jerrim acknowledges his debt to the author of these timeless classics and hopes that, in some small way, his using them as a springboard for this current work may prove a worthy enterprise. He also acknowledges his debt to John Tenniel for his famous illustrations.
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* Christina Björk & Inga-Karin ErikssonThe Story of Alice in her Oxford Wonderland. R&S Books. London. 1994.
Lewis Carroll. Alice's Adventures in Wonderland. (various editions) (out of copyright)
Lewis Carroll. Through the Looking Glass--And What Alice Saw There. (various editions) (out of copyright)
Judith Carter for permission to photograph, edit and use images of her mermaid mirrors.
--The Coca-Cola Aria Chart for the Australian Top 40 singles and albums on Sunday 22 May 1994
--The image of the interior of the Tasmanian Museum and Art Gallery on the home page. This image originates with the author.
Driver Improvement Consultancy Pty Ltd.Teaching Values. 1997
* Nicole Duplaix. Fleas: The Lethal Leapers. National Geographic Vol.173, No. 5, May 1988 pp. 672&endash;694
Christopher Hampton 'Eczema' (© 1994 when 8 years old)
Hobart City Council, letter
Leigh Hunter on behalf of New Vision, Melbourne, poster for La Nuit de Varennes
* International Bible Society. New International Version of The Holy Bible. International Bible Society. Colorado Springs. 1973.
* Peter Jaret. Viruses: On the Edge of Life. National Geographic Vol. 186, No. 1, July 1994. p73
Damien Jones 'Broken Leg' Year 8 in 1994 © New Town High School 1994
* Nick Jones, cover notes for Philip Glass: Itaipu. The Canyon. Sony compact disc SK 46352 p4-6.
* Franz Kafka. From a letter written by Franz Kafka when he was twenty years old to his friend Oskar Pollack, quoted by Aidan Chambers. Booktalk: Occasional Writing on Literature for Children. The Bodley Head. London. 1985.
* Nicholas Kurti and Hervé This-Benckhard. 'The Kitchen as a Lab' Scientific American April 1994. p. 94ff
Sarah Mason for permission to photograph, edit and use images of her Colonial Dining Room.
Jose Lopez Portilla. Quetzalcoatl: A Myth. Trans. Eliot Weinberger & Diana S. Goodrich. James Clarke. Cambridge. 1977. Liberia Manuel Porrúa, S.A. 1965. English Translation The Seaberry Press, Inc., 1976. (Permission has been granted to quote extensively from this book in the descriptive videos Firefly and Quetzalcóatl.)
* W. Rees, 'The Black Death as Recorded in English Manorial Documents', in Proceedings of the Royal Society of Medicine , xvi. 2, p. 4; quoted by Ziegler, The Black Death , 197; quoted by Norman Davies, Europe A History, 411.
* William Shakespeare. Macbeth. Oxford University Press. Oxford. 1941.
* Nancy Schaper-Hughes. Death Without Weeping. Quoted by Daniel Gross(?) in 'Angels in Brazil', Times Literary Supplement July 1, 1994, p.7
Susan Williams, Peter Davies, Mark Nicholson & Paul Radford. Wapping! The musical. The Friends' School, Hobart. 1995.
* Ken Williamson in Australasian Science Autumn Issue, 1994 pp. 56ff: 'Do It: Kitchen Chemistry'